Columbine Gallery's Carolyn Barlock is showcased in the inaugural issue of ArtBeat, a publication tailored to art museums and their patrons. Shop the artwork on our online store before the publication hits newsstands tomorrow & stay tuned for a Launch Party near you.
13 of Carolyn Barlock's original fine art Luster and Gold are featured in an eight-page editorial in the inaugural issue of ArtBeat Magazine. One-of-a-kind items sell quickly and availability is subject to change without notice. Shop online here and have it shipped directly to your home, world-wide or call / email to set up an in-home consultation in the Colorado region.
We are pleased to share that National Sculptors' Guild Associate Dan Glanz's Tree Top Stretch bronze monument was one of the select new additions to Loveland's Benson Sculpture Garden this year. The park continues to grow each year through the proceeds generated from each annual Sculpture in the Park show now housing over 150 sculptures. We urge you to experience all of Loveland's Public Art collection during your next visit to Columbine Gallery.
"For many years we lived in the beautiful Ponderosa Pine and Douglas Fir forest outside Loveland, Colorado, surrounded by wildlife we would see on an almost daily basis. We were always excited to see the wildlife; deer, black bears, elk, bobcats, coyotes, wild turkeys, and many more animals. However, it was the elusive mountain lion, while only occasionally spotted on the mountain, we knew was always close by.
On many occasions, we found tracks in the snow at the edge of the trees and half-eaten prey on our walks around our ridgetop. I would make it a habit, especially in winter, to go out in the early morning darkness to see if there were four-legged visitors nearby before letting our dogs outside. One snowy morning, with my headlamp illuminating the darkness, I discovered fresh mountain lion tracks in the snow on our steep drive only to realize that less snow had fallen in the lion’s tracks in front of me than the track I made behind me just 3 minutes earlier. I followed them back toward the house and discovered the lion had been watching me not 50 feet away. I’m sure it wasn’t the first time, nor the last, we had been closely watched.
“Tree Top Stretch” began as a commissioned piece that gave me the opportunity to describe the powerful stealthy, yet reclusive, feline in a more relaxed manner. The big cat is beginning the evening’s hunt, limbering up on an old treetop, more than likely a daily ritual." -Daniel Glanz
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