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Jean Perry in Art of the West

2/21/2019

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Columbine's Jean Perry is featured in the current Art of the West magazine. We just got our copies and it's stunning. Her beautiful landscapes lift off the pages, and the written word provides more depth to the imagery she creates.
Columbine's Jean Perry is featured in the current Art of the West magazine. We just got our copies and it's stunning. Her beautiful landscapes lift off the pages, and the written word provides more depth to the imagery she creates.

"I think my years of abstract design have helped me to organize a good landscape."

​We urge you to pick up a magazine to see the full article. And stop by the gallery to see her work in person.

#InTheNews
2019mar_perry_art_of_the_west.pdf
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Community Mural 2019

2/20/2019

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 Columbine's Scott Freeman executed his annual Community Mural downtown Loveland, CO, 4th and Lincoln Ave. February 8th and 9th was the community participation portion of this year's mural. Finished product #LovelandGothic is shown below.

Attendees to the Sweetheart Festival paint individual 9" square tiles (320 this year) that are strategically marked off in sections by Freeman using a simple instruction in each (much like paint by number, only it's using values L-light, M-medium, D-dark), Paints varied in hues matching these values are provided so that anything can be painted to the artist's desire within these sections; making small paintings that when placed together create a larger image.

The magic comes to life as the tiles are placed on the wall using corresponding numbers, only then does the larger picture that Freeman set out to create become clear.
Picture
Columbine's Scott Freeman executed his annual Community Mural downtown Loveland, CO, 4th and Lincoln Ave.
Picture
Scott Freeman draws on a section of plywood panels in his Loveland studio.
​The annual community mural is part of Loveland's Sweetheart Festival with support from Beggars Gate Church.
​The annual community mural is part of Loveland's Sweetheart Festival with support from Beggars Gate Church.
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New in the Gallery

2/12/2019

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Shop the newest artworks to enter the gallery...

Enter Code: LoveArt during checkout
Oil painting by JEAN PERRY available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor My painting style has evolved thru the years from creating large abstract collages using acrylics and tissue paper to a more traditional style today that could be described as a form of Impressionism. The change began some thirty years ago when I discovered the excitement of painting outside on location. Today I am primarily a plein air painter traveling all over the world with my portable easel and paints in my backpack. I work mainly in oil and when traveling I paint on surfaces of linen that has been glued to Baltic birch wooden panels or Styrofoam boards. When painting a landscape en plein air you are limited to the number of hours you can work before the moving sun has created an entirely different picture so I carry small panels in sizes from 8”x10” to the largest size, 16”x20”. Actually, I think that this constraint of time helps me to concentrate on the impression of the scene and not get too involved with the details and hopefully the painting will have some of the emotion that I felt when I was standing there. These paintings are usually close to being a finished painting, but if not, I will work on them in the studio before releasing them to a gallery. In my studio I also use these small pieces as reference for larger paintings on stretched linen canvas, sometimes combining the information from more than one field study. I also paint still lifes and portraits from life and believe all painting is learning to “see”. Jean started art classes at age 5 when her mother sent her to Saturday lessons at the Nelson Atkins Museum in Kansas City, Mo. Majoring in Fine Arts at the University of Colorado, she began painting in an abstract, nonobjective style. Signing up for a local plein air workshop taught by Mel Fillerup of Wyoming she discovered the joys of painting on location. ‘We painted every day even in a spring snow storm and I knew I had found my direction’. Since that time Jean has continued her art education with classes at the Scottsdale Artists School, workshops with many instructors including private lessons with Mark Daily in Denver. Her style of painting has evolved from abstract to a more traditional form of Impressionism working mainly in oil. Jean has painted and traveled all over the world including Indonesia, Europe and Mexico. She teaches workshops every year with several different organizations. The most prestigious oil painting organizations in America have voted her a signature member including the Plein Air Painters of America, Oil Painters of America, Rocky Mountain Plein Air Painters and an honorary member of the Tucson Plein Air Painters Society. Her paintings can be found in shows from New York to California including the Arts for the Parks Top 100, The Salmagundi Club in New York City, Laguna Art Museum, Clymer Museum in Washington and the Desert Caballeros Museum in Arizona. Her bibliography: Thirty Years of Plein Air Painting, The Art of Jean Perry Following Big Footsteps, Italy, Plein Air Magazine, 2013 Artist Profile and front cover, Plein Air Magazine, 2013 Enchanted Isle, A History of Plein Air Painting In Santa Catalina Island Oil Painting Basics, The Artists’ Magazine Staging A Landscape, Jean Perry The Artists’ Magazine Hitting Her Stride, Nancy Ellis Art of the West Jean Perry, Artist, Nancy Jarchow Steamboat Magazine Jean Perry Meets Goals, Jane Hume Northwest Colorado Press Jean started art classes at age five when her mother sent her to Saturday lessons at the Nelson Atkins Museum in Kansas City, Mo. Summer classes continued until college where she majored in Fine arts at the University of Colorado. It was during this time that she began painting in an abstract, nonobjective style. Jean continued sporadic lessons through the early years of marriage and raising four children. In 1980 Jean and her husband, Gil moved to Steamboat Springs, Colorado and she decided to make a full-time commitment to her love of art. Signing up for a local plein air workshop taught by Mel Fillerup of Wyoming she discovered the joys of painting on location. "We painted every day even in a spring snow storm and I knew I had found my direction." Since that time Jean has continued her art education with classes at the Scottsdale Artists School, workshops with many instructors including private lessons with Mark Daily in Denver. Her style of painting has evolved from abstract to a more traditional form of impressionism working mainly in oil. Landscapes seem to dominate her work but she enjoys painting animals, still lifes and portraits. Jean has painted and traveled all over the world including Indonesia, Europe, Mexico and Canada. She teaches workshops every year with several different organizations. The most prestigious oil painting organizations in America have voted her a signature membership including the Plein Air Painters of America, Oil Painters of America, Rocky Mountain Plein Air Painters Society and an honorary membership in the Tucson Plein Air Painters Society. Her paintings can be found in shows from New York to California including the Arts For The Parks Top 100, The Salmagundi Club in New York City, Laguna Art Museum, Clymer Museum in Washington, Desert Caballeros Museum in Arizona and the Haggin Museum in Stockton, California.
Oil painting by JEAN PERRY available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor My painting style has evolved thru the years from creating large abstract collages using acrylics and tissue paper to a more traditional style today that could be described as a form of Impressionism. The change began some thirty years ago when I discovered the excitement of painting outside on location. Today I am primarily a plein air painter traveling all over the world with my portable easel and paints in my backpack. I work mainly in oil and when traveling I paint on surfaces of linen that has been glued to Baltic birch wooden panels or Styrofoam boards. When painting a landscape en plein air you are limited to the number of hours you can work before the moving sun has created an entirely different picture so I carry small panels in sizes from 8”x10” to the largest size, 16”x20”. Actually, I think that this constraint of time helps me to concentrate on the impression of the scene and not get too involved with the details and hopefully the painting will have some of the emotion that I felt when I was standing there. These paintings are usually close to being a finished painting, but if not, I will work on them in the studio before releasing them to a gallery. In my studio I also use these small pieces as reference for larger paintings on stretched linen canvas, sometimes combining the information from more than one field study. I also paint still lifes and portraits from life and believe all painting is learning to “see”. Jean started art classes at age 5 when her mother sent her to Saturday lessons at the Nelson Atkins Museum in Kansas City, Mo. Majoring in Fine Arts at the University of Colorado, she began painting in an abstract, nonobjective style. Signing up for a local plein air workshop taught by Mel Fillerup of Wyoming she discovered the joys of painting on location. ‘We painted every day even in a spring snow storm and I knew I had found my direction’. Since that time Jean has continued her art education with classes at the Scottsdale Artists School, workshops with many instructors including private lessons with Mark Daily in Denver. Her style of painting has evolved from abstract to a more traditional form of Impressionism working mainly in oil. Jean has painted and traveled all over the world including Indonesia, Europe and Mexico. She teaches workshops every year with several different organizations. The most prestigious oil painting organizations in America have voted her a signature member including the Plein Air Painters of America, Oil Painters of America, Rocky Mountain Plein Air Painters and an honorary member of the Tucson Plein Air Painters Society. Her paintings can be found in shows from New York to California including the Arts for the Parks Top 100, The Salmagundi Club in New York City, Laguna Art Museum, Clymer Museum in Washington and the Desert Caballeros Museum in Arizona. Her bibliography: Thirty Years of Plein Air Painting, The Art of Jean Perry Following Big Footsteps, Italy, Plein Air Magazine, 2013 Artist Profile and front cover, Plein Air Magazine, 2013 Enchanted Isle, A History of Plein Air Painting In Santa Catalina Island Oil Painting Basics, The Artists’ Magazine Staging A Landscape, Jean Perry The Artists’ Magazine Hitting Her Stride, Nancy Ellis Art of the West Jean Perry, Artist, Nancy Jarchow Steamboat Magazine Jean Perry Meets Goals, Jane Hume Northwest Colorado Press Jean started art classes at age five when her mother sent her to Saturday lessons at the Nelson Atkins Museum in Kansas City, Mo. Summer classes continued until college where she majored in Fine arts at the University of Colorado. It was during this time that she began painting in an abstract, nonobjective style. Jean continued sporadic lessons through the early years of marriage and raising four children. In 1980 Jean and her husband, Gil moved to Steamboat Springs, Colorado and she decided to make a full-time commitment to her love of art. Signing up for a local plein air workshop taught by Mel Fillerup of Wyoming she discovered the joys of painting on location. "We painted every day even in a spring snow storm and I knew I had found my direction." Since that time Jean has continued her art education with classes at the Scottsdale Artists School, workshops with many instructors including private lessons with Mark Daily in Denver. Her style of painting has evolved from abstract to a more traditional form of impressionism working mainly in oil. Landscapes seem to dominate her work but she enjoys painting animals, still lifes and portraits. Jean has painted and traveled all over the world including Indonesia, Europe, Mexico and Canada. She teaches workshops every year with several different organizations. The most prestigious oil painting organizations in America have voted her a signature membership including the Plein Air Painters of America, Oil Painters of America, Rocky Mountain Plein Air Painters Society and an honorary membership in the Tucson Plein Air Painters Society. Her paintings can be found in shows from New York to California including the Arts For The Parks Top 100, The Salmagundi Club in New York City, Laguna Art Museum, Clymer Museum in Washington, Desert Caballeros Museum in Arizona and the Haggin Museum in Stockton, California.
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AMY LAUGESEN, WILDLIFE, Bronze, Raku, Stone, Sculpture, wildlife, horse, unique, public art, nature, found object, integrated, placemaking, wall mounted, narrative, Pegasus, rabbit rabbit, Wildlife sculpture by AMY LAUGESEN available at Columbine Gallery home of the National Sculptors' Guild Colorado's Largest Fine Art Source Specialists in Public Art Laugesen’s fragmented animal abstracts create a statement housed in both an ancient and contemporary context. She has successfully taken on the ambitious task to capture and translate the delicate beauty of the raku-fired ceramics into monumental forms. “The horse is a magnificent creature, historic icon and my longtime muse. To unearth the form of the horse within clay is to recognize the enduring nature of this powerful, beautiful animal and its importance in the history of our civilization. This process of discovering the essence of a horse within the “mud” and transforming this into contemporary ceramic artworks remains my great joy and artistic passion.” Amy Laugesen is a Colorado native. Examples of her work can be found in various private and public collections around the country. “The intention of my work is to capture the essence of spirit, movement, and timeless story in the sculptural forms I create. The Horse, as form and function, is a reoccurring theme in my mixed media sculptures and large-scale commissioned public artworks. Often the sculptures appear broken or weathered like objects of antiquity. Smaller works are ceramic and the unique colors are achieved through the unpredictable nature of the Raku reduction firing process. For me, the Raku technique brings the artworks to life.”
AMY LAUGESEN, WILDLIFE, Bronze, Raku, Stone, Sculpture, wildlife, horse, unique, public art, nature, found object, integrated, placemaking, wall mounted, narrative, Pegasus, rabbit rabbit, Wildlife sculpture by AMY LAUGESEN available at Columbine Gallery home of the National Sculptors' Guild Colorado's Largest Fine Art Source Specialists in Public Art Laugesen’s fragmented animal abstracts create a statement housed in both an ancient and contemporary context. She has successfully taken on the ambitious task to capture and translate the delicate beauty of the raku-fired ceramics into monumental forms. “The horse is a magnificent creature, historic icon and my longtime muse. To unearth the form of the horse within clay is to recognize the enduring nature of this powerful, beautiful animal and its importance in the history of our civilization. This process of discovering the essence of a horse within the “mud” and transforming this into contemporary ceramic artworks remains my great joy and artistic passion.” Amy Laugesen is a Colorado native. Examples of her work can be found in various private and public collections around the country. “The intention of my work is to capture the essence of spirit, movement, and timeless story in the sculptural forms I create. The Horse, as form and function, is a reoccurring theme in my mixed media sculptures and large-scale commissioned public artworks. Often the sculptures appear broken or weathered like objects of antiquity. Smaller works are ceramic and the unique colors are achieved through the unpredictable nature of the Raku reduction firing process. For me, the Raku technique brings the artworks to life.”
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Painting by DANIEL AUGENSTEIN available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor With subject matter and media as varied as his experiences he was deeply impacted by the 10 months that he lived in Tuscany, Italy. Dan favors classic shapes and moody landscapes. The light of New Mexico and the southwestern region reminiscent of Italy also enters into his motifs. “I remember drawing as a four year-old. Licking the tip of the red color pencil made a more intense red as I drew my tree! In seventh grade, I was given a set of oil paints for a Christmas present. My mom showed me what she had learned about painting a still life in an evening class. In 1973 and 1974, while an art student at the University of Northern Colorado, I had the chance to study in Florence, Italy for 10 months. That influence changed my life in many ways. Following graduation, I began teaching art in the public school. From drawing, to printmaking, to ceramics, to painting, my experiences broadened and I fell "head over heels" infatuated with mark making. I have found that my brushes and pencils create the same endless variety of marks just as the world surrounding me displays an endless variety of life. I find whimsical lines of energy in my paintings begin to imitate the energy that I sense around me. I have fallen in love with my brush! My subject matter and media reflect over forty years of sharing a wide range of artistic adventures with my students in public school and at the college where I currently teach. Every new medium still represents another possible right answer to some yet unanswered query and another journey to some adventure.“ -Dan Augenstein
Painting by DANIEL AUGENSTEIN available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor With subject matter and media as varied as his experiences he was deeply impacted by the 10 months that he lived in Tuscany, Italy. Dan favors classic shapes and moody landscapes. The light of New Mexico and the southwestern region reminiscent of Italy also enters into his motifs. “I remember drawing as a four year-old. Licking the tip of the red color pencil made a more intense red as I drew my tree! In seventh grade, I was given a set of oil paints for a Christmas present. My mom showed me what she had learned about painting a still life in an evening class. In 1973 and 1974, while an art student at the University of Northern Colorado, I had the chance to study in Florence, Italy for 10 months. That influence changed my life in many ways. Following graduation, I began teaching art in the public school. From drawing, to printmaking, to ceramics, to painting, my experiences broadened and I fell "head over heels" infatuated with mark making. I have found that my brushes and pencils create the same endless variety of marks just as the world surrounding me displays an endless variety of life. I find whimsical lines of energy in my paintings begin to imitate the energy that I sense around me. I have fallen in love with my brush! My subject matter and media reflect over forty years of sharing a wide range of artistic adventures with my students in public school and at the college where I currently teach. Every new medium still represents another possible right answer to some yet unanswered query and another journey to some adventure.“ -Dan Augenstein
Painting by DANIEL AUGENSTEIN available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor With subject matter and media as varied as his experiences he was deeply impacted by the 10 months that he lived in Tuscany, Italy. Dan favors classic shapes and moody landscapes. The light of New Mexico and the southwestern region reminiscent of Italy also enters into his motifs. “I remember drawing as a four year-old. Licking the tip of the red color pencil made a more intense red as I drew my tree! In seventh grade, I was given a set of oil paints for a Christmas present. My mom showed me what she had learned about painting a still life in an evening class. In 1973 and 1974, while an art student at the University of Northern Colorado, I had the chance to study in Florence, Italy for 10 months. That influence changed my life in many ways. Following graduation, I began teaching art in the public school. From drawing, to printmaking, to ceramics, to painting, my experiences broadened and I fell "head over heels" infatuated with mark making. I have found that my brushes and pencils create the same endless variety of marks just as the world surrounding me displays an endless variety of life. I find whimsical lines of energy in my paintings begin to imitate the energy that I sense around me. I have fallen in love with my brush! My subject matter and media reflect over forty years of sharing a wide range of artistic adventures with my students in public school and at the college where I currently teach. Every new medium still represents another possible right answer to some yet unanswered query and another journey to some adventure.“ -Dan Augenstein
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Abstract sculpture by JOE NORMAN available at Columbine Gallery home of the National Sculptors' Guild Colorado's Largest Fine Art Source Specialists in Public Art I enjoy honest welds and allen head bolts, the joy of struggle and walnut oil on smooth sanded wood. My best work has regret and relief and sometimes I throw wrenches. I steal natural shapes for my sculpture. Animal bones and river stones feel familiar in my gut. They’re all over the place, and they’re beautiful. I take emotional resonance and apply it to beautiful shapes. The right emotion AND the right shape just might be powerful to the right person. Maybe it is a small example of how to practice BOTH AND in addition to EITHER OR. My intent is to make art that contributes to a wider conversation about justice and care and our impact on the world. I hope it helps people think and be happy; I hope it helps people be important to each other. -- Joe Norman, 2018 When you support my artwork, be proud that it helps fund my continued investment in the Human Rights Campaign and the National Park Service. Joe Norman graduated with a degree in engineering from Stanford University prior to careers in product design consulting, education, and fine art. His furniture and sculpture explore environments that support and promote communities. Many of his designs are direct results of working with schools, families, and businesses to develop places that encourage people to work and be together in positive and supportive ways. Joe believes that gathering places feed the soul of our communities; that it is around our kitchens or with our feet propped up on coffee tables that we have some of our most important conversations. He thinks the most important part of his work isn’t the tables he makes, but rather it is about the people that are sitting around them. In other words, we do not need more stuff in our lives that does not bring us together in community. Joe’s furniture is made with recycled and environmentally conscious processes and materials whenever possible; he considers the earth itself as an important member of our global community. In fact, many of his ideas in were born from wrecking yards, recycling centers, and retired bicycles. His machine shop is powered by renewable wind energy.
Abstract sculpture by JOE NORMAN available at Columbine Gallery home of the National Sculptors' Guild Colorado's Largest Fine Art Source Specialists in Public Art I enjoy honest welds and allen head bolts, the joy of struggle and walnut oil on smooth sanded wood. My best work has regret and relief and sometimes I throw wrenches. I steal natural shapes for my sculpture. Animal bones and river stones feel familiar in my gut. They’re all over the place, and they’re beautiful. I take emotional resonance and apply it to beautiful shapes. The right emotion AND the right shape just might be powerful to the right person. Maybe it is a small example of how to practice BOTH AND in addition to EITHER OR. My intent is to make art that contributes to a wider conversation about justice and care and our impact on the world. I hope it helps people think and be happy; I hope it helps people be important to each other. -- Joe Norman, 2018 When you support my artwork, be proud that it helps fund my continued investment in the Human Rights Campaign and the National Park Service. Joe Norman graduated with a degree in engineering from Stanford University prior to careers in product design consulting, education, and fine art. His furniture and sculpture explore environments that support and promote communities. Many of his designs are direct results of working with schools, families, and businesses to develop places that encourage people to work and be together in positive and supportive ways. Joe believes that gathering places feed the soul of our communities; that it is around our kitchens or with our feet propped up on coffee tables that we have some of our most important conversations. He thinks the most important part of his work isn’t the tables he makes, but rather it is about the people that are sitting around them. In other words, we do not need more stuff in our lives that does not bring us together in community. Joe’s furniture is made with recycled and environmentally conscious processes and materials whenever possible; he considers the earth itself as an important member of our global community. In fact, many of his ideas in were born from wrecking yards, recycling centers, and retired bicycles. His machine shop is powered by renewable wind energy.
Abstract sculpture by JOE NORMAN available at Columbine Gallery home of the National Sculptors' Guild Colorado's Largest Fine Art Source Specialists in Public Art I enjoy honest welds and allen head bolts, the joy of struggle and walnut oil on smooth sanded wood. My best work has regret and relief and sometimes I throw wrenches. I steal natural shapes for my sculpture. Animal bones and river stones feel familiar in my gut. They’re all over the place, and they’re beautiful. I take emotional resonance and apply it to beautiful shapes. The right emotion AND the right shape just might be powerful to the right person. Maybe it is a small example of how to practice BOTH AND in addition to EITHER OR. My intent is to make art that contributes to a wider conversation about justice and care and our impact on the world. I hope it helps people think and be happy; I hope it helps people be important to each other. -- Joe Norman, 2018 When you support my artwork, be proud that it helps fund my continued investment in the Human Rights Campaign and the National Park Service. Joe Norman graduated with a degree in engineering from Stanford University prior to careers in product design consulting, education, and fine art. His furniture and sculpture explore environments that support and promote communities. Many of his designs are direct results of working with schools, families, and businesses to develop places that encourage people to work and be together in positive and supportive ways. Joe believes that gathering places feed the soul of our communities; that it is around our kitchens or with our feet propped up on coffee tables that we have some of our most important conversations. He thinks the most important part of his work isn’t the tables he makes, but rather it is about the people that are sitting around them. In other words, we do not need more stuff in our lives that does not bring us together in community. Joe’s furniture is made with recycled and environmentally conscious processes and materials whenever possible; he considers the earth itself as an important member of our global community. In fact, many of his ideas in were born from wrecking yards, recycling centers, and retired bicycles. His machine shop is powered by renewable wind energy.
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Oil painting by GARY MILLER available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor Being an admirer of Mother Nature, Gary is inspired by the roaring waterfalls, bugling elk, and mountain vistas that have surrounded him most of his life. Primarily an oil painter; his landscapes and wildlife paintings reflect this appreciation. Gary Miller was born in Oklahoma, but moved to Pueblo, Colorado at an early age. As a child, Gary found immense pleasure in painting and drawing. What started as a recreational activity soon blossomed into a lifelong passion. Gary worked with Union Pacific Railroad after receiving a Bachelor of Arts degree from Southern Colorado State College in 1972 (now Colorado State University – Pueblo). He retired from the railroad in 2010 and began painting full time. In 1987, the Colorado Cattleman’s Association magazine, “The Cattle Guard”, featured Gary’s painting on its cover. Over the years he has been widely collected and has shown in galleries throughout Colorado; as well as Taos, New Mexico; Oklahoma; Kansas; and Wyoming. One of Gary’s painting is displayed in the visitor center of the Japanese sister city to Abilene, Kansas. He now resides in the mountains west of Fort Collins, Colorado with his wife, Tammie, in a home they built together.
Oil painting by GARY MILLER available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor Being an admirer of Mother Nature, Gary is inspired by the roaring waterfalls, bugling elk, and mountain vistas that have surrounded him most of his life. Primarily an oil painter; his landscapes and wildlife paintings reflect this appreciation. Gary Miller was born in Oklahoma, but moved to Pueblo, Colorado at an early age. As a child, Gary found immense pleasure in painting and drawing. What started as a recreational activity soon blossomed into a lifelong passion. Gary worked with Union Pacific Railroad after receiving a Bachelor of Arts degree from Southern Colorado State College in 1972 (now Colorado State University – Pueblo). He retired from the railroad in 2010 and began painting full time. In 1987, the Colorado Cattleman’s Association magazine, “The Cattle Guard”, featured Gary’s painting on its cover. Over the years he has been widely collected and has shown in galleries throughout Colorado; as well as Taos, New Mexico; Oklahoma; Kansas; and Wyoming. One of Gary’s painting is displayed in the visitor center of the Japanese sister city to Abilene, Kansas. He now resides in the mountains west of Fort Collins, Colorado with his wife, Tammie, in a home they built together.
Oil painting by GARY MILLER available at Columbine Gallery Colorado's Largest Fine Art Source Specialists in Public Art and Home Decor Being an admirer of Mother Nature, Gary is inspired by the roaring waterfalls, bugling elk, and mountain vistas that have surrounded him most of his life. Primarily an oil painter; his landscapes and wildlife paintings reflect this appreciation. Gary Miller was born in Oklahoma, but moved to Pueblo, Colorado at an early age. As a child, Gary found immense pleasure in painting and drawing. What started as a recreational activity soon blossomed into a lifelong passion. Gary worked with Union Pacific Railroad after receiving a Bachelor of Arts degree from Southern Colorado State College in 1972 (now Colorado State University – Pueblo). He retired from the railroad in 2010 and began painting full time. In 1987, the Colorado Cattleman’s Association magazine, “The Cattle Guard”, featured Gary’s painting on its cover. Over the years he has been widely collected and has shown in galleries throughout Colorado; as well as Taos, New Mexico; Oklahoma; Kansas; and Wyoming. One of Gary’s painting is displayed in the visitor center of the Japanese sister city to Abilene, Kansas. He now resides in the mountains west of Fort Collins, Colorado with his wife, Tammie, in a home they built together.
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SCULPTURE, Bronze, figurative, representational, traditional, classical, contemporary, historic, narrative, sports, portrait, children, dance, activity, maquette, life, size, monument, study, male, female, figure, human, public, art, garden, entry, interior, online store, for sale, buy, online, ship, worldwide, WILDLIFE, Bronze, Raku, Stone, Sculpture, wildlife, bison, buffalo, elk, mountain, lion, cougar, panther, lynx, stag, deer, doe, ram, bear, grizzly, razorback, fox, moose, wolf, otter, squirrel, pika, racoon, beaver, elephant, giraffe, cheetah, zebra, animal, dog, cat, horse, cow, bull, cattle, rabbit, bunny, cottontail, jack, hare, mouse, pig, hog, goat, fish, salmon, catfish, trout, snake, frog, toad, turtle, gator, bird, owl, eagle, hawk, heron, fowl, water, goose, duck, pelican, swan, chicken, rooster, turkey, peacock, quail, nuthatch, wren, cardinal, Sculpture, ABSTRACT, Non Objective, Expressive, Nature, Science, Art, Color, Form, Emotion, Intrinsic, Thought, Feeling, Provoke, Contemporary, narrative, maquette, life, size, monument, study, public, art, garden, entry, interior, Steel, Stone, Bronze, Fabricated, Glass, Acrylic, Mixed Media Bronze, Sculpture, figurative, abstract, expression, whimsical, contemporary, historic, narrative, sports, portrait, children, dance, activity, maquette, life, size, monument, study, male, female, figure, human, public, art, garden, entry, interior, Boy, Girl, Brother, Sister, Mother, Child, Father, Parent, Kid, Children, Siblings, family, memories, friends, pets, animals, dog, cat, horse PAINTING, Representational, Abstract, Nature, Art, Color, Contemporary, narrative, public, interior, acrylic, mixed media, oil, watercolor, pastel, figurative, theory, elements, intrinsic, provoke, vibrant, vivid, impression, expressionist, urban, figurative, wildlife, still life, streetscape, landscape, sky, floral, flower, still life, arrangement, classic, traditional, everyday, mundane, life, travel, workshops, plein air Traditional, landscape, rocky mountain, national park, travel, Colorado, atlanta, Alaska, flowers, still life, Painting, Non-objective, color, field, minimal, emotion, intrinsic, provoke, vibrant, vivid, dots, abstract, colorful, emotion, intrinsic, provoke, vibrant, vivid, vibrant, mixed media, acrylic, dot, organic Painting, Abstract, Wildlife, Nature, Art, Color, Contemporary, narrative, public, interior, acrylic, mixed media, oil, watercolor, moose, elk, deer, birds, bear, horse, non objective, NATIONAL SCULPTORS GUILD- NSG Fine Art Consultation since 1992. Colorado's largest sculpture source for public art, corporate and home collector full service design team with JK Designs, Inc. National, Sculptors, Guild, Columbine, Gallery, Colorado, NSG, fine, art, home, corporate, interior, exterior, design, public, art, consultation, traditional, representational, contemporary, abstract, figure, wildlife, bronze, wood, stone, steel, custom, commissioned, site, specific, integrated, full, service, team, sculpture, Kinkade National, Sculptors, Guild, Columbine, Gallery, Colorado, NSG, fine, art, home, corporate, interior, exterior, design, public, art, consultation, traditional, representational, contemporary, abstract, figure, wildlife, bronze, wood Artists, Sculptors, Alsum, Caricof, Cherry, Clements, DeDecker, Enoch, Gold, Haskew, Mignery, Salge, Scott, Warrick, Whitehouse, Davis, Glanz, Fleming, Rambadt, Shachtman, Gueswel, Hill, Laugesen, Linke, Nelson, NSG, Sculpture, Art Artists, Painters, Augenstein, Bailey, Biggers, Caruso, Coonts, English, Goodale, Hahn, Howard, Kinkade, Miller, Osborne, Peck, Perry, Pridham, Vito, Walton, Zaluzec, Barlock, Price, Haskew, Wilce, Paint, Art JK Designs, Fine Art Consultation since 1992 Our purpose is to champion a community of artists and to serve as a bridge between these artists and the public. We approach all aspects as a team which offers the client a wide variety of creative solutions to fulfill each unique need. Our primary goal is to allow the artists to stick to their strength - creating great artwork. We also coordinate the many aspects involved in completing large-scale projects. Columbine Gallery home of the National Sculptors' Guild Specializing in Significant Public Art since 1992. Columbine is the Colorado State flower and symbol for Spirit. Our Loveland location of Columbine Art Gallery and the National Sculptors' Guild has quickly become the largest original fine art source in Colorado located across the street from Sculpture in the Park events at Benson Park, we feature artwork by over 45 represented artists year-round, ships worldwide through Shipper’s Supply Custom Pack. LIVING WITH ART Selecting fine art for your home and garden should be a fun and fulfilling experience. JK Designs and Columbine Gallery can assist with any residential placement. Send us your interior or garden pics with reference to scale and we'll start the process by superimposing 3 great options that work within your budget. Pick an artist or style, or let us. We are happy to help enhance your surroundings. We can help create a cohesive collection that tells your story. Tie into existing works or add a whole new vision. One on one services that enable you to set a budget for a one-time purchase or a series over time so that your collection comes together with ease.
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    COLUMBINE GALLERY, Owned and operated by the father/daughter team of John & Alyson Kinkade the Gallery and Garden artfully displays over 800 sculptures plus many paintings by renowned local and national artists to provide a tranquil atmosphere for art appreciators wishing to reduce the external details of the world and indulge in the true essence of art ~ a world of visual play and internal moods. Perched above a pond with a view of the Rockies, the NSG Sculpture Garden is an acre filled with unusual botanical specimens and over 100 sculptures. All of the artwork in the gallery and garden is for sale. As a result, the look is constantly changing.
    Always know what's new
    COLUMBINE GALLERY, Owned and operated by the father/daughter team of John & Alyson Kinkade the Gallery and Garden artfully displays over 800 sculptures plus many paintings by renowned local and national artists to provide a tranquil atmosphere for art appreciators wishing to reduce the external details of the world and indulge in the true essence of art ~ a world of visual play and internal moods. Perched above a pond with a view of the Rockies, the NSG Sculpture Garden is an acre filled with unusual botanical specimens and over 100 sculptures. All of the artwork in the gallery and garden is for sale. As a result, the look is constantly changing.
    check out the latest public art

    Columbine Gallery

    Owned and operated by the father/daughter team of John & Alyson Kinkade the Gallery and Garden artfully displays over 800 sculptures plus many paintings by renowned local and national artists to provide a tranquil atmosphere for art appreciators wishing to reduce the external details of the world and indulge in the true essence of art ~ a world of visual play and internal  moods. Perched above a pond with a view of the Rockies, the NSG Sculpture Garden is an acre filled with unusual botanical specimens and over 100 sculptures. All of the artwork in the gallery and garden is for sale. As a result, the look is constantly changing. 

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Columbine Gallery home of the National Sculptors' Guild Specializing in Significant Public Art since 1992. Columbine is the Colorado State flower and symbol for Spirit. Our Loveland location of Columbine Art Gallery and the National Sculptors' Guild has quickly become the largest original fine art source in Colorado located across the street from Sculpture in the Park events at Benson Park, we feature artwork by 50 represented artists year round, ship worldwide. JK Designs, Fine Art Consultation since 1992 Our purpose is to champion a community of artists and to serve as a bridge between these artists and the public. We approach all aspects as a team which offers the client a wide variety of creative solutions to fulfill each unique need. Our primary goal is to allow the artists to stick to their strength - creating great artwork. We also coordinate the many aspects involved in completing large-scale projects.
Columbine is the Colorado State flower and symbol for Spirit. Our Loveland location of Columbine Art Gallery and the National Sculptors' Guild has quickly become the largest original fine art source in Colorado located across the street from Sculpture in the Park events at Benson Park, we feature artwork by 50 represented artists year round, ship worldwide.